Until Death Do Us Part is a Japanese seinen manga written by Hiroshi Takashige and drawn by Double-S. Even though its target demographic is 18-30 year old males, it appears to have attracted a large female following, mainly due to its romantic undertones.
Until Death Do Us Part tells the tale of a twelve year old pre-cognitive girl, Haruka Toyama, who appeals for aid from Mamoru Hijikata, a blind swordsman with a dubious past. Haruka is pursued by nefarious companies who wish to use her special ability for their own gain. Mamoru reluctantly agrees to help her and unwittingly involves himself in a world of intrigue, violence and corruption. A place he isn’t necessarily unfamiliar, nor uncomfortable with.
Sixteen Going On Seventeen by Kyia Star
Plot
’Sixteen Going On Seventeen’ most definitely belongs in the fluff category. It is, in essence, an idealised tale of the progression of young love; from a young woman’s first kiss, through to marriage and the start of a family. This all happens within the confines of two chapters and around fifteen thousand words.
Conflict is what pushes a plot forward, whether that be internal, external, character-based or plot-based. Sadly, there appears to be only a mild attempt at inserting some conflict into this story, with a seemingly random encounter with some ‘goons’ early on, and slight disapproval of the marriage event by some background characters which is easily resolved. It looks as if the driving force in this fiction is the various symbolisms of love, which have been heavily romanticised.
Nevertheless, bearing in mind that this fiction is fluff/romance, then it would be natural for the plot to focus on the relationship between the two main characters. The first chapter progresses nicely and at a reasonable pace. The second chapter does feel a little rushed in comparison, though.
Characterisation
Characterisation is not only difficult to write in fanfiction, but also to review, as a lot of it comes down to personal perspective. However, as the author has said in her author notes, she felt that Mamoru was portrayed ‘out of character’ at times. I have to agree with this assessment. He is a very emotionally withdrawn character, and it feels completely out of place that he would voice his feelings in the ways he has.
Haruka on the other hand is relatively true to her original manga self. The story takes place several years after the manga as of its current release, so gives plenty of leeway when it comes to character development and growth.
The background characters, Sierra, Igawa, Juliet et al, feel as if they are mainly there for comic relief. There is a slight amount of conflict from mainly Sierra’s side, but it doesn’t prove much of a hindrance for Mamoru and Haruka. The main aspects of their characters have been portrayed accurately, even though their reactions may appear a little immature when compared to their age, although this may have been intended for comedic value.
Grammar
Overall, the story is well written, with only a few mistakes here and there. It is one of the more easily readable fanfics out there, grammar-wise.
Style
’Sixteen Going On Seventeen’ uses a third person, multiple perspective narrative style. This can often be difficult to pull off correctly, but the author has done well by not flitting between different characters too often thus making the narrative easy to follow.
The author tends to focus on dialogue more often than not, which is certainly a good tool for pushing a piece of fiction forward. A little more focus on describing the characters’ surroundings would really bring the story to life. As is the golden rule in writing; show don’t tell.
Overall
In conclusion, ’Sixteen Going On Seventeen’ is a good contribution to a sorely lacking fandom. The fiction appears to be aimed towards a young adult, female audience. With only one focus, it limits its appeal to a wider reader base, but those looking for a casual, feel-good reading experience should be satisfied.
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You may find Kyia Star’s fanfiction, Sixteen Going On Seventeen, hosted on FF.Net here.




